{"id":1325,"date":"2026-01-30T16:07:03","date_gmt":"2026-01-30T15:07:03","guid":{"rendered":"https:\/\/xavier-adraste.fr\/?p=1325"},"modified":"2026-02-02T16:04:57","modified_gmt":"2026-02-02T15:04:57","slug":"je-recommande-sneakernet-sur-tracks","status":"publish","type":"post","link":"https:\/\/xavier-adraste.fr\/index.php\/2026\/01\/30\/je-recommande-sneakernet-sur-tracks\/","title":{"rendered":"Je recommande Sneakernet sur Tracks"},"content":{"rendered":"\n<figure class=\"wp-block-embed\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/usbeketrica.com\/fr\/article\/lenteur-debrouille-et-resistance-voici-l-internet-des-sans-internet\n<\/div><\/figure>\n\n\n\n<h1 class=\"wp-block-heading\"><\/h1>\n\n\n\n<p>Il y a quelques jours, je suis tomb\u00e9 sur un \u00e9pisode de Tracks sur Arte qui m&rsquo;a particuli\u00e8rement interpell\u00e9.<\/p>\n\n\n\n<p>A vrai dire, le sujet traite justement de techniques \u00ab\u00a0d&rsquo;avant\u00a0\u00bb &#8211; et il r\u00e9sonne parfaitement avec mes questionnements sur la sobri\u00e9t\u00e9 num\u00e9rique et notre d\u00e9pendance aux plateformes&#8230;.<\/p>\n\n\n\n<p>L&rsquo;\u00e9pisode s&rsquo;intitule <strong>\u00ab\u00a0Sneakernet : le r\u00e9seau hors internet\u00a0\u00bb<\/strong> et explore comment des collectifs europ\u00e9ens r\u00e9inventent le partage de donn\u00e9es&#8230; en se passant compl\u00e8tement d&rsquo;internet.<\/p>\n\n\n\n<p>Oui, oui.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Le concept : des baskets au lieu du WiFi !<\/h2>\n\n\n\n<p>Le \u00ab\u00a0Sneakernet\u00a0\u00bb (litt\u00e9ralement \u00ab\u00a0r\u00e9seau baskets\u00a0\u00bb) d\u00e9signe l&rsquo;\u00e9change de fichiers d&rsquo;humain \u00e0 humain, via cl\u00e9s USB, disques durs portables, ou tout autre support physique.<\/p>\n\n\n\n<p>L&rsquo;\u00e9pisode suit trois initiatives europ\u00e9ennes.:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Le <strong>Outdoor Computer Club<\/strong> \u00e0 Paris, qui organise des \u00e9changes de donn\u00e9es en pleine for\u00eat avec des ordinateurs accroch\u00e9s aux arbres<\/li>\n\n\n\n<li>L&rsquo;artiste <strong>Aram Bartholl<\/strong> \u00e0 Berlin, qui d\u00e9veloppe des installations de partage hors ligne<\/li>\n\n\n\n<li>Le collectif <strong>Actinomy<\/strong> \u00e0 Br\u00eame, des militantes anti-tech qui enseignent \u00e0 construire des serveurs priv\u00e9s<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Pourquoi \u00e7a me parle<\/h2>\n\n\n\n<p>Depuis 2020, je travaille avec des outils no-code et j&rsquo;explore constamment comment rendre la m\u00e9diation culturelle num\u00e9rique plus sobre. Mes projets de retrofit <a href=\"https:\/\/xavier-adraste.fr\/index.php\/2024\/04\/19\/serious-game-sur-minitel-mysteres-en-vallee-de-lindre\/\" data-type=\"post\" data-id=\"43\">ici<\/a> ou encore <a href=\"https:\/\/xavier-adraste.fr\/index.php\/2024\/11\/27\/upcycler-une-radio-vintage\/\" data-type=\"post\" data-id=\"627\">ici<\/a> &#8211; m\u00e9langer vintage et technologie moderne &#8211; partent du m\u00eame principe : questionner la n\u00e9cessit\u00e9 de passer par du num\u00e9rique, et quand on l&rsquo;utilise, le faire avec frugalit\u00e9.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/www.arte.tv\/fr\/videos\/126484-040-A\/tracks\/\">Voir le docu ici<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Il y a quelques jours, je suis tomb\u00e9 sur un \u00e9pisode de Tracks sur Arte qui m&rsquo;a particuli\u00e8rement interpell\u00e9. A vrai dire, le sujet traite justement de techniques \u00ab\u00a0d&rsquo;avant\u00a0\u00bb &#8211; et il r\u00e9sonne parfaitement avec mes questionnements sur la sobri\u00e9t\u00e9 num\u00e9rique et notre d\u00e9pendance aux plateformes&#8230;. L&rsquo;\u00e9pisode s&rsquo;intitule \u00ab\u00a0Sneakernet : le r\u00e9seau hors internet\u00a0\u00bb et [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1329,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-1325","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-carnet-explorations"],"rttpg_featured_image_url":{"full":["https:\/\/xavier-adraste.fr\/wp-content\/uploads\/2025\/12\/Caddddpture.jpg",1901,1045,false],"landscape":["https:\/\/xavier-adraste.fr\/wp-content\/uploads\/2025\/12\/Caddddpture.jpg",1901,1045,false],"portraits":["https:\/\/xavier-adraste.fr\/wp-content\/uploads\/2025\/12\/Caddddpture.jpg",1901,1045,false],"thumbnail":["https:\/\/xavier-adraste.fr\/wp-content\/uploads\/2025\/12\/Caddddpture-150x150.jpg",150,150,true],"medium":["https:\/\/xavier-adraste.fr\/wp-content\/uploads\/2025\/12\/Caddddpture-300x165.jpg",300,165,true],"large":["https:\/\/xavier-adraste.fr\/wp-content\/uploads\/2025\/12\/Caddddpture-1024x563.jpg",1024,563,true],"1536x1536":["https:\/\/xavier-adraste.fr\/wp-content\/uploads\/2025\/12\/Caddddpture-1536x844.jpg",1536,844,true],"2048x2048":["https:\/\/xavier-adraste.fr\/wp-content\/uploads\/2025\/12\/Caddddpture.jpg",1901,1045,false]},"rttpg_author":{"display_name":"admin9161","author_link":"https:\/\/xavier-adraste.fr\/index.php\/author\/admin9161\/"},"rttpg_comment":2,"rttpg_category":"<a href=\"https:\/\/xavier-adraste.fr\/index.php\/category\/carnet-explorations\/\" rel=\"category tag\">Carnet d'explorations<\/a>","rttpg_excerpt":"Il y a quelques jours, je suis tomb\u00e9 sur un \u00e9pisode de Tracks sur Arte qui m&rsquo;a particuli\u00e8rement interpell\u00e9. A vrai dire, le sujet traite justement de techniques \u00ab\u00a0d&rsquo;avant\u00a0\u00bb &#8211; et il r\u00e9sonne parfaitement avec mes questionnements sur la sobri\u00e9t\u00e9 num\u00e9rique et notre d\u00e9pendance aux plateformes&#8230;. L&rsquo;\u00e9pisode s&rsquo;intitule \u00ab\u00a0Sneakernet : le r\u00e9seau hors internet\u00a0\u00bb et\u2026","_links":{"self":[{"href":"https:\/\/xavier-adraste.fr\/index.php\/wp-json\/wp\/v2\/posts\/1325","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/xavier-adraste.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xavier-adraste.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xavier-adraste.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/xavier-adraste.fr\/index.php\/wp-json\/wp\/v2\/comments?post=1325"}],"version-history":[{"count":7,"href":"https:\/\/xavier-adraste.fr\/index.php\/wp-json\/wp\/v2\/posts\/1325\/revisions"}],"predecessor-version":[{"id":1371,"href":"https:\/\/xavier-adraste.fr\/index.php\/wp-json\/wp\/v2\/posts\/1325\/revisions\/1371"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/xavier-adraste.fr\/index.php\/wp-json\/wp\/v2\/media\/1329"}],"wp:attachment":[{"href":"https:\/\/xavier-adraste.fr\/index.php\/wp-json\/wp\/v2\/media?parent=1325"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xavier-adraste.fr\/index.php\/wp-json\/wp\/v2\/categories?post=1325"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xavier-adraste.fr\/index.php\/wp-json\/wp\/v2\/tags?post=1325"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}